翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Columbia Burlesque Wheel : ウィキペディア英語版
Columbia Amusement Company

The Columbia Amusement Company, also called the Columbia Wheel or the Eastern Burlesque Wheel, was an industry organization that arranged burlesque company bookings in American theaters between 1902 and 1927. The burlesque companies would travel in succession round a "wheel" of theaters, ensuring steady employment for performers and a steady supply of new shows for the participating theaters. For much of its history the Columbia Wheel advertised relatively "clean" variety shows featuring pretty girls. Eventually the wheel was forced out of business due to competition from cinemas and from the cruder stock burlesque companies.
==Background==

The Theatrical Syndicate was formed in 1896 by the theatrical managers or booking agents Charles Frohman, Al Hayman, A. L. Erlanger, Marc Klaw, Samuel F. Nirdlinger and Frederick Zimmerman.
The syndicate soon dominated legitimate theater, deciding what would be shown and where.
The Vaudeville Managers Association was founded soon after, with similar goals, and the United Booking Office was founded to provide a single place where performers could seek engagements.
In 1898 the burlesque producers and theater managers attempted to organize in a similar way with the Travelling Variety Managers Association (TVMA). The idea was that approved shows would progress from one theater to another in succession, round a "wheel".
The vaudeville and burlesque producer Gus Hill claimed credit for the concept.
The theaters would not have to compete for shows, and the burlesque companies would have guaranteed work.
The TVMA soon split into two wheels, one in the west and the other in the east.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Columbia Amusement Company」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.